More than 5,000 people, including 2,000 area residents, have signed a petition on Change.org protesting a Los Angeles policy that effectively bans public artwork.
The surge of support follows a daring skywriting protest in September by Saber, a prominent L.A. artist featured in the Museum of Contemporary Art’s national public art exhibition this year. His associate and friend Piper Severance launched the campaign on Change.org in conjunction with the attention-getting stunt.
“I’m in this campaign for the long haul,” said Saber, who is also selling t-shirts with The Seventh Letter to fund this creative protest. “Los Angeles public art is under attack. I love this city, so my goal is to help Los Angeles reclaim its title as the world’s mural capital.”
The reason I hired five jet planes to sky write over City Hall and downtown Los Angeles is to bring awareness to how ridiculous a moratorium on public art is.
The city states that all public murals are signage, effectively banning art from the walls of Los Angeles. And it is removed at the taxpayers’ expense. Money is given to private graffiti removal companies, who have broken onto private property to paint murals beige. The owners of small businesses where murals have been painted have been harassed and threatened with fines if they do not remove the artwork. Police officers raid homes and places of work, intimidating artists and building owners. During this time of economic crisis, “mural signs” are an easy target for the city to extract money. This moratorium is a clear violation of the first amendment right to free speech and enforcement for these unreasonable laws is a complete waste of taxpayer funds.
To put things in perspective I recently visited the beautiful set of murals inside the Terminal Annex Building on Alameda. This mural was painted in 1941-44 and was funded by the “Works Progress Administration” (WPA). Murals are just a part of the legacy of a national program that put the country to work during the Great Depression.
Fast-forward to the Great Recession, taxpayer money is now used to obliterate all traces of the artwork my generation have created. I believe this is city-funded censorship pushed by lawmakers with personal vendettas. Potential jail time is more probable for us than the opportunity of creating an artistic legacy for the next generation. In a city that used to proudly call itself the “Mural Capitol Of The World,” the officials who enforce this ban should be ashamed to call themselves “Angelinos.”
Art Is Not A Crime… End Mural Moratorium.
- SABER
Tell Mayor Villagaigosa and the L.A. City Attorney’s office to end the mural moratorium now:
* In 2007, the graffiti gallery Crewest, along with help from the activist group Friends of the L.A. River (FoLAR) organized “Meeting of Styles: LA.” The event brought together over 100 graffiti artists to spray paint a 10,000 square foot section of the L.A. River at the Arroyo Seco Confluence in Highland Park. Despite the fact that the organizers secured all necessary permits for the mural project, and that the event was fully licensed by the county; supervisor Gloria Molina objected to the work after the fact and introduced an emergency measure to the County Board of Supervisors that forced the mural to be whitewashed from the flood walls. A spokeswoman for Molina called the legal graffiti murals a “public nuisance and a potential safety hazard,” and justified Molina’s decision to introduce the mural’s removal by saying the county was “trying to save lives.”
A view of “America Tropical,” partly whitewashed. (Credit: PBS)
* Of course, this sort of thing has a long history in Los Angeles. In 1932, David Alfaro Siqueiros painted America Tropical in a rooftop beer garden on Olvera Street. The mural’s centerpiece featured a crucified Indian, hovered over by an imperial American eagle. The part of the offending mural that could be seen from the street was covered almost immediately; the rest was whitewashed within a year.
In case you missed this one….Saber talks about his battle with Epilepsy and Insurance Companies, being a finalist in Organizing For America’s “Health Care Reform Video Challenge” and the conservative reaction, the Release of his “Flag 2010″ Print Edition, and what the American Flag symbolizes to him.
I just want to thank everyone for their interest in this edition. I appreciate the support and I look forwards to creating more work. I have been receiving some touching emails, specifically from those who are affected by Epilepsy. I will to continue to shed some light on our predicament on the state of health care in this country through my art. As long as I live I will be a representative of the graffiti art culture and I hope to push further into the veins of Art History with the help of my Friends, Family and people like you who believe in what we do.
Never one to shy away from controversy, Saber has been up to some very interesting things lately… Watch the video and see what he’s been producing; in and out of the studio…
We’re very excited to announce the release of the highly anticipated (thanks to Arrested Motion), “Flag 2010″ limited edition serigraph by Saber.
Here are the details:
Artist: Saber Title: “Flag 2010″ Size: 21″ x 30″ (54cm x 77cm) Edition: 11 color Serigraph on hand-made Nepalese Cannabina Fiber. All separations hand-painted in studio by Saber. Hand-Pulled by the master printers at Modern Multiples. This edition was created in 3 color-ways; 60 Prints in Red/White/Blue, 15 Prints in Black/White, and a hand-laid Gold Leaf edition of 3.
Red, White, and Blue- Edition of 60- Price:$180
Black and White- Edition of 15- Price:$280
Hand-Laid 23k Gold Leaf- Edition of 3- Price:$1200
