It’s time for year in review posts, and while there are certainly more than a few everywhere on the web…

Read more: LAist

For a city with a moratorium on murals, the art form managed to be in the public eye in 2011. Street art took its place alongside traditional works, vintage works were restored, policy and enforcement were being questioned–all while ordinances that stopped new mural works from going up on private walls were being reviewed.

If you are not saddled with year-end list fatigue, here’s a timeline of some mural stories from the year.

Read more: KCET Departures

L.A.’s murals are believed to outnumber those in every other city in the world with numbers ranging in thousands. With influence from the punk, hip hop, and skate scene a new street culture was born that fueled a new generation of artists. Artists like SABER, SWOON, KID ZOOM, ROA, HOW & NOSM, KOFIE, D*FACE, CR, RIPO, INSA, BECCA, Thank You X, LADY AIKO, JR, and Shepard Fairey having all tattooed L.A. with murals that redefine the word “graffiti.”

Read more: Frank 151

A proposed new ordinance would allow artists to create murals legally on private property across Los Angeles as long as the property owners agree. If approved, the ordinance would end a controversial prohibition on murals that has left city officials and artists grappling over what is legal……….

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For months, the L.A. Department of City Planning has been teasing street artists with announcements of a new ordinance that would lift the current ban on all pre-approved murals on private property in Los Angeles.

And it’s about time: Our urban sprawl was once considered by many — including local celebrity Saber — to be the “mural capital of the world.”

So where on Earth is this thing?…………

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Opening under cover of night somewhere in Paris, four stories beneath la rue, a secret subterranean gallery in a sealed tunnel appears suddenly. While activity on the street overhead is hectic and dense with cars, trucks and pedestrians, the dry dust is ankle-high here in this darkened silent morgue, its cool dank air now permeated with fresh aerosol. The Underbelly has been here, and if you discover this curated collection of Street Art and graffiti in the chilled dim light, you are officially lost. And lucky……..

READ MORE AND SEE MORE IMAGES HERE

Source Magazine- SABER

This is a photo of the LAPD removing part my #OccupyFlag during their eviction of #OccupyLA

photo by LUCY NICHOLSON/REUTERS

RWB KepRage, 2011

Signed & Numbered Regular Edition Of 200  $195.00

12 Color Serigraph On Coventry Rag, Size: 28 1/4 x 36 3/4

Available For The First Time Online On SABERONE.COM Through Paypal At A Special Christmas Sale Price!!

Purchase HERE

THE UNDERBELLY SHOW
Private View 30th November or by appointment
General Opening 2nd December 8-10 pm
Open to the public 2nd December – 5th December
South Beach Miami

8 November- After a full year underground, The Underbelly Project is resurfacing this December in Miami during Art Basel. Presented in its own pop up gallery from 1 December – 5 December, the show will feature original artwork from many of the 103 international artists that participated in the hidden subway project. This exhibition will highlight the essence of the abandoned New York City station known as the Underbelly.
Workhorse has stated: “The New York Underbelly was an important chapter for us, but the story hadn’t been comprehensively told. The Underbelly Miami show gives us a chance to present the broad scope of documentation – Videos, photos, time-lapses and first hand accounts. The project is about more than just artwork. This show gives us a chance to show the people and the environment behind the artwork“

PAC has stated: “While the experience each artist had in their expedition underground can never be captured, it is my hope that this show will highlight some of the trials and tribulations associated with urban art taking place in the remote corners of our cities. Too often the practice of making art in unconventional venues remains shrouded in mystery and I hope this exhibition will shine a faint light on those artists who risk their safety to find alternative ways to create and be a part of the cities they live in.”

Included in the show are street, graffiti and fine artists alike. The full line-up of artists include: Faile, Dabs & Myla, TrustoCorp, Aiko, Rone, Revok, Ron English, Jeff Soto, Mark Jenkins, Anthony Lister, Logan Hicks, Lucy McLauchlan, M-City, Kid Zoom, Eric Haze, Saber, Meggs, Jim & Tina Darling, The London Police, Sheone, Skewville, Jeff Stark, Jordan Seiler, Jason Eppink and I AM, Dan Witz, Specter, Ripo, MoMo, Remi/Rough, Stormie Mills, Swoon, Know Hope, Skullphone, L’Atlas, Roa, Surge, Gaia, Michael De Feo, Joe Iurato, Love Me, Adam 5100, and Chris Stain.

Fashioned to simulate the rawness of the abandoned station four stories beneath the bustle of New York City, the exhibit will attempt to capture the experience of artists’ that were invited leave their creative mark four stories beneath the city streets. The show will feature video footage of artists at work, still documentation, as well as recorded sounds heard in the tunnel.

Exclusively at The Underbelly Show, the unreleased We Own the Night: The Art of The Underbelly Project book, will be available as a limited edition collectors boxed set before the public release in February. This boxed set will include a hard cover book along with 9 unreleased photos packaged in a hand crafted oak box engraved with the names of each artist that contributed to the project. Before the general viewing there will also be a book signing featuring many of the aforementioned artists.

The gallery will be located at 2200 Collins Avenue, South Beach in Miami, FL.

The Underbelly Project

In 2009 PAC and Workhorse started a project in an abandoned subway station in New York City. Over the course of a year and a half they invited over 100 contemporary artists to leave their creative mark inside the station. Working illegally, the project worked towards documenting a cross section of contemporary art, free of the commercial restrictions of the traditional gallery environment. Once the project had come to and end, the entrance was sealed trapping the art inside and creating an ephemeral time capsule. The project received praise internationally, including a front-page article from The New York Times.

THE UNDERBELLY PROJECT