THE UNDERBELLY SHOW
Private View 30th November or by appointment
General Opening 2nd December 8-10 pm
Open to the public 2nd December – 5th December
South Beach Miami

8 November- After a full year underground, The Underbelly Project is resurfacing this December in Miami during Art Basel. Presented in its own pop up gallery from 1 December – 5 December, the show will feature original artwork from many of the 103 international artists that participated in the hidden subway project. This exhibition will highlight the essence of the abandoned New York City station known as the Underbelly.
Workhorse has stated: “The New York Underbelly was an important chapter for us, but the story hadn’t been comprehensively told. The Underbelly Miami show gives us a chance to present the broad scope of documentation – Videos, photos, time-lapses and first hand accounts. The project is about more than just artwork. This show gives us a chance to show the people and the environment behind the artwork“

PAC has stated: “While the experience each artist had in their expedition underground can never be captured, it is my hope that this show will highlight some of the trials and tribulations associated with urban art taking place in the remote corners of our cities. Too often the practice of making art in unconventional venues remains shrouded in mystery and I hope this exhibition will shine a faint light on those artists who risk their safety to find alternative ways to create and be a part of the cities they live in.”

Included in the show are street, graffiti and fine artists alike. The full line-up of artists include: Faile, Dabs & Myla, TrustoCorp, Aiko, Rone, Revok, Ron English, Jeff Soto, Mark Jenkins, Anthony Lister, Logan Hicks, Lucy McLauchlan, M-City, Kid Zoom, Eric Haze, Saber, Meggs, Jim & Tina Darling, The London Police, Sheone, Skewville, Jeff Stark, Jordan Seiler, Jason Eppink and I AM, Dan Witz, Specter, Ripo, MoMo, Remi/Rough, Stormie Mills, Swoon, Know Hope, Skullphone, L’Atlas, Roa, Surge, Gaia, Michael De Feo, Joe Iurato, Love Me, Adam 5100, and Chris Stain.

Fashioned to simulate the rawness of the abandoned station four stories beneath the bustle of New York City, the exhibit will attempt to capture the experience of artists’ that were invited leave their creative mark four stories beneath the city streets. The show will feature video footage of artists at work, still documentation, as well as recorded sounds heard in the tunnel.

Exclusively at The Underbelly Show, the unreleased We Own the Night: The Art of The Underbelly Project book, will be available as a limited edition collectors boxed set before the public release in February. This boxed set will include a hard cover book along with 9 unreleased photos packaged in a hand crafted oak box engraved with the names of each artist that contributed to the project. Before the general viewing there will also be a book signing featuring many of the aforementioned artists.

The gallery will be located at 2200 Collins Avenue, South Beach in Miami, FL.

The Underbelly Project

In 2009 PAC and Workhorse started a project in an abandoned subway station in New York City. Over the course of a year and a half they invited over 100 contemporary artists to leave their creative mark inside the station. Working illegally, the project worked towards documenting a cross section of contemporary art, free of the commercial restrictions of the traditional gallery environment. Once the project had come to and end, the entrance was sealed trapping the art inside and creating an ephemeral time capsule. The project received praise internationally, including a front-page article from The New York Times.

THE UNDERBELLY PROJECT

Ron English for Tools of the Trade from TOTT Global on Vimeo.

by sleepboy @ Arrestedmotion.com

Ron English is the Lord of the Universe!

This is one of the paintings I have in upcoming show at New York’s Opera Gallery, that I’m proud to be a part of.  Check it out.

NIMBUS VAPOR

This billboard kind of landed in our lap. Ron invited me to collaborate on a public advertisement, and of course I jumped at the opportunity. I brought some camo colors to match his background a bit. I was up there for a minute and everything went smooth. The bird circled a couple of times but we must have been perceived as proper. What could be better than painting a full sized billboard on a major street in the middle of the day with the man himself, Mr. Ron fuken English. Priceless….