Only Time Will Tell from Vans The Omega on Vimeo.

Revok tells the story of the wall:

“I just finished a wall in LA with Rime, Askew and Deus from Auckland, Vans from Australia, Score from Berlin, Dabs & Myla, and Witnes…

“Instead of the typical bullshit, everyone decided on the phrase ‘Only time will tell’ with the wall being divided into four sections, with each section representing a change of season… Using that as a starting point, everybody built on that and went in their own direction, some of us getting dumber and more retarded than others.

“The assignment went as follows… VANS/ RIME/WITNES; Winter, with VANS on letter detail painting the phrase ‘ONLY’.

“DABS/MYLA/SCORE; Spring, With SCORE on letter detail painting ‘TIME’.

“REVOK/RIME; Summer, REVOK on letter/background detail painting ‘WILL’

“ASKEW/DEUS; Fall, ASKEW on letter detail painting ‘TELL’.

“I’m pretty proud of the outcome, as I’m sure so is everyone else involved… There are a lot of stupid little details and jokes throughout the wall we all had a lot of laughs coming up with both intentionally and by accident.

“A big thanks to ASKEW for shooting the final shot and putting in the labor stiching it all together.” -Revok.

Here’s Rime’s account of the “stupid little details”;

Dysfunctional points of interest:

* Coked up Charlie Bronson Yeti saying “AAAAARRRGGGHHHH” to a timid young chick.
* Santa says yes to 4LOKO.
* Jesus turning tranny was unintentional. The legs were on the wall first. Intended to come randomly from behind the “Will” piece. Later I sketched up Jesus chillin’ at the beach. Revok said I sketched it too small and too far over to the left. I ended up buffing the first Jesus sketch out and painted it larger and more to the right. It took us a good two hours before we connected the possibility that the legs could be Jesus’s. Tired and late as fuck we laughed about it and embraced the idea… Fuckin’ Tranny Jesus!”

Music Credits:
Jesus I was evil by Darcy Clay
The Flame by Black Keys
Numb by Portishead

Through Upper Playground, I was one of a bunch of artists who where asked to be part of an interesting collaboration with Roland Sands Designs.

Basically Sam Flores, Nate Van Dyke, Estvon Oriol, Jonas, Roland and friends, painted the backdrops for up and coming motorcycle conventions. These are the sickest bikes I’ve seen, and the goal was to create themes that went with each bike. Everyone put in long nights, and it turned into a paint menagerie.

Each artists mural was unique to they’re own style. This is what makes this project interesting. Each piece was great and different by itself, then put those amazing bikes in front of them, it couldn’t get any better.

I was very excited to work on this project because I appreciate the constant contortion of motorcycle design, especially Roland’s approach to style. When I see those sexy lines on a bike, I want to push my artistic style even further.

Futuristic, powerful, hyper, sleek, sharp, dangerous, wicked, complex, these are the perfect attributes that translate well into my painting style.

The bike in front of my wall was a one of a kind Ducati, red, silver, and black. I wanted to match the color pallet with fast-moving, sharp biomechanical bits, mixed with digital racing stripes.

I think this could be one of the first contemporary collaborations with street artist and the motorcycle culture. I’m definitely looking forward to more projects with Roland. Maybe one day soon there will be a sick Saber/Roland bike collaboration.

My Wall, but this is NOT my bike.

Estevon Oriol, hard at work…..

Sam and the girls…….

Nate Van Dyke’s Wall….

Roland Sands’ Wall

Sam Flores’s Wall…..