On Saturday, November 19, graffiti artist POSE and photojournalist KC Ortiz will unveil Whitewash, their second exhibition at Known Gallery, and their most cohesive to date.

For POSE, Whitewash references society’s attempt to eradicate graffiti and stifle human expression. “Shortly after I started writing graffiti, Chicago took an extremely hard-line stance on its eradication, outlawing the sale of spraypaint and implementing Mayor Dayley’s Graffiti Blasters program,” POSE explains.

With this exhibition, POSE will recall a time before the buff. “I am digging into my fondest childhood memories of riding the train and seeing all the colors, letters and cartoon characters along the lines. Making these paintings has been an incredibly rich process, and it makes me thankful that no city official can eradicate my memories.”

POSE will show 15 new works in the main gallery. The work is rendered in his signature style—aggressive, hand-painted collages of pop-culture icons and ephemera—but feature deeper abstractions and new mediums. “I have six paintings on Plexiglass that were kind of an experiment,” POSE explains. “I wanted to be challenged by a new medium and process.”

For KC, Whitewash is about the people and places he photographs. “Much of the work I do covers those who have been ‘whitewashed,’ so to speak, by history and policy,” KC notes. “Specifically, the work I will be exhibiting is from West Papua and Burma. You won’t find either of those ‘nations’ on the map, as both have been essentially ‘whitewashed’ away. Burma has been renamed Myanmar by its ruling junta in order to establish the fantasy of a unified nation, and West Papua has been occupied by Indonesia since 1963 after a very controversial handover from the Dutch that was orchestrated by the United States.”

In the project room, KC will show 12 photographs of West Papua and Burma’s armed struggles. “The struggles are unified in their nature under the theme of resistance, the victimhood of whitewashing by the world at large, the beauty of their people, and the strength of the human spirit and dignity,” KC notes.

About the artists:

POSE
Hailing from The Windy City, POSE has made an indelible mark on a multitude of cities around the globe. Best known for his progressive letter style and technical precision, POSE is an influential contributor to the contemporary graffiti movement, and his work has appeared in numerous magazines, books and films. POSE grew up a half block from the CTA’s elevated train line, and started sneaking out to practice graffiti there in 1992. Coming of age during the golden era of Chicago graffiti, POSE put in endless work on the streets. His prolific output led him to become a local legend, and the city’s most internationally recognized graffiti artist. In addition to his achievements in graffiti, POSE set out to conquer every medium visual art has to offer—both on and off the streets. His artistic exploration led him to become a jack of all creative trades, with successful endeavors in the commercial and fine art worlds. POSE currently lives and works in Chicago, Illinois. He is a member of the acclaimed West Coast artist collective The Seventh Letter, as well as a founder of his own Chicago based design and art firm We Are Supervision. He has traveled internationally on his own and with The Seventh Letter, specifically to showcase his skills as one of the best graffiti artists out there. Almost two decades into his artistic career, POSE shows no signs of slowing down.

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KC Ortiz is an award-winning, self taught photojournalist with a split base between his hometown of Chicago, Illinois and Western Thailand. Ortiz’s work focuses on the world’s forgotten and overlooked people and issues. He has covered conflict throughout Southeast Asia, focusing on the human suffering and the policies that enable conflict, as well as humanitarian issues throughout the world. The aim of his photography is to bring awareness to the masses of those that are suffering most, often times completely unseen by the majority. His work has appeared in A-Magasinet, Global Post, Juxtapoz, Newsweek, Time, The Wall Street Journal, and many other publications across the globe. Ortiz’s work has been exhibited in a number of museums and galleries including The Newseum, The Corcoran, The Frontline Club, Known Gallery, Rivera and Rivera Gallery, Guerrero Gallery, and others. In 2011, Ortiz’s work was recognized with a first place award from the prestigious Pictures of The Year International.

POSE & KC Ortiz | Whitewash

Opening Reception Saturday, November 19, 2011 from 8‑11pm
On View November 19 – December 10, 2011

Known Gallery
441 North Fairfax Avenue
Los Angeles, CA 90036
T: 310-860-6263

KNOWN GALLERY

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KC ORTIZ

DON’T MISS THIS ONE!!

@KnownGallery

A superhero among the spray-can set and one of the L.A. Sheriff’s Department’s most wanted vandals, the artist known as Revok, aka Jason Williams, has had quite an eventful year. On the heels of his work for MOCA’s “Art in the Streets” show, Revok captured headlines after his most recent arrest (for missing a court appearance) April 21 at LAX. His subsequent bail was set at a record high for vandalism, $320,000, and he was sentenced to six months in jail for unpaid property restitution of $3,700. He served 44 days, yet hasn’t painted an illegal mural or committed art crime in Los Angeles for years……  READ MORE

By Shelley Leopold

REVOK1.COM

KNOWNGALLERY.COM

PERSEVERANCE from WWW.REVOK1.COM on Vimeo.

KNOWN GALLERY

I am really looking forwards to this show. All three of these guys are a huge inspiration to me. These guys graffiti art work is on the cutting edge of the movement. Don’t miss it!!!!!!!!!

MORE INFO @ NormWillRise

Known Gallery
441 North Fairfax Avenue
Los Angeles, CA 90036
310-860-6263

Only Time Will Tell from Vans The Omega on Vimeo.

Revok tells the story of the wall:

“I just finished a wall in LA with Rime, Askew and Deus from Auckland, Vans from Australia, Score from Berlin, Dabs & Myla, and Witnes…

“Instead of the typical bullshit, everyone decided on the phrase ‘Only time will tell’ with the wall being divided into four sections, with each section representing a change of season… Using that as a starting point, everybody built on that and went in their own direction, some of us getting dumber and more retarded than others.

“The assignment went as follows… VANS/ RIME/WITNES; Winter, with VANS on letter detail painting the phrase ‘ONLY’.

“DABS/MYLA/SCORE; Spring, With SCORE on letter detail painting ‘TIME’.

“REVOK/RIME; Summer, REVOK on letter/background detail painting ‘WILL’

“ASKEW/DEUS; Fall, ASKEW on letter detail painting ‘TELL’.

“I’m pretty proud of the outcome, as I’m sure so is everyone else involved… There are a lot of stupid little details and jokes throughout the wall we all had a lot of laughs coming up with both intentionally and by accident.

“A big thanks to ASKEW for shooting the final shot and putting in the labor stiching it all together.” -Revok.

Here’s Rime’s account of the “stupid little details”;

Dysfunctional points of interest:

* Coked up Charlie Bronson Yeti saying “AAAAARRRGGGHHHH” to a timid young chick.
* Santa says yes to 4LOKO.
* Jesus turning tranny was unintentional. The legs were on the wall first. Intended to come randomly from behind the “Will” piece. Later I sketched up Jesus chillin’ at the beach. Revok said I sketched it too small and too far over to the left. I ended up buffing the first Jesus sketch out and painted it larger and more to the right. It took us a good two hours before we connected the possibility that the legs could be Jesus’s. Tired and late as fuck we laughed about it and embraced the idea… Fuckin’ Tranny Jesus!”

Music Credits:
Jesus I was evil by Darcy Clay
The Flame by Black Keys
Numb by Portishead

Get yours at: store.theseventhletter.com

This past Saturday, the Known Gallery and gallery director Casey Zoltan, presented an exhibition titled Assorted Flavor which featured the eclectic work of seven different artists. The lineup included the likes of Kevin Ancell, Jason Jägel, Saber, Patrick Martinez, Greg Lamarche, Push and Augustine Kofie. Displayed across a wide open space perfectly suitable for this kind of exhibit, the artwork showed an interesting mix of graffiti-style art, mixed media work, and even some traditional painting……

By Carlos Gonzalez

More Commentary And Many More Images HERE